Black History Month celebrated at The Market Theatre through a play by African-American playwright
The Meeting at The Market
Theatre, Newtown Johannesburg
‘The Meeting’ defined as ‘a situation when two or more
people meet, by chance or arrangement’- this is truly a meeting not to be
missed by theatre goers around Johannesburg. Penned by American playwright,
Jeff Stetson and directed by the Artistic Director at Market Theatre, James
Ngcobo. The Meeting is a thought-provoking masterpiece which does not only
celebrate the Black History Month, but is also affording humankind a reflection
and retrospection of the self. Based on a fictional meeting between the two towering
figures, Malcolm X (played by Brendon Daniels) , the Islamic Minister and a lawyer and Dr. Martin Luther
King Jnr (played by Aubrey Poo), the civil rights activist and minister, in the African-American
history of the 20th Century, it fits well for The Market Theatre to
play host of this historical production, for it has become an institutional
mecca of storytelling in Southern Africa.
Black History spreads across realms and cultures. It is the
account that cannot be told by merely looking at the American history, for
despite political rhetoric globally, United States is a nation of immigrants.
That being said, in addition to celebrating great figures such as Martin Luther
King, Malcolm X, and Frederick Doughlass this month, unescapably Africa must
find expression for Black History. There is no point in talking of Black
History and not include daughter and sons of the African continent, for they
contributed a lot to building the global communities, no surprise James Ngcobo
joins the world in celebrating these historical significance.
The opening night of this play I was sitting next to James
Ngcobo, who honestly confessed his nervousness, for it was for the first time in
many years that he watched a play he directed from the auditorium gallery with
audience. “The more you direct, the difficult it get to be part of the
audience,” Ngcobo told me. Mr. Jeff Stetson, the playwright of The Meeting was also there, I took few
glances of him as the play unfolded and he seemed to have enjoyed the play.
Melodies punctuated the opening of this play. Lyrics “For all we know, we will
never meet again. Before you go, make this moment sweet…” punctuated the
opening scenes of the play.
Malcolm X (Brendon Daniels) and Dr. Martin Luther King Jr. (Aubrey Poo) |
Litha Bam, who plays a role of Malcolm’s body guard or
personal assistant, Rashad, stands up, decked in black and white suit and
seemingly praying. Malcolm X wakes up from what seemed to have been a terrible
dream and reached out to the table for glass of water. We gathered that Malcolm
was so close with Louis Armstrong, American trumpeter and soloist, that he had
sung a song for him. In the very same scene, we see the considerate man in
Malcolm, a good family man who said; “Kiss my little angels for me,” to his wife
Betty Shabazz. Not only was he a courageous advocate for the rights of blacks
but also a caring father and husband.
Later we get to be introduced to The Meeting of these two
towering figures in the African-American history. This fictional meeting is
fascinating and it captures reality of both men. When Dr. King enters the room,
Malcolm jokingly says “Television makes you look heavier,” to him. The
conversation is resplendent of wisdom and insight into the worlds of these
great men. There exists a wonderful play of language and verse as they indulge
each other. The host, Malcolm, offers the guest, Dr. King an apple, to which he
denies and the host replies “You see an apple as a temptation, I see it as a
nutrition.” The poetic sounding of the phrase is seemingly biblical; one cannot
help but think of what happened in the Garden of Eden between Adam and Eve.
Malcolm X (Brendon Daniels) and Dr. Martin Luther King Jr. (Aubrey Poo) |
We are initially been exposed to the physical characters of both leaders and now real meeting fires up with witty debates. Apart from the dramatization of events and the dialogue, audience is invited to analyse for themselves, the interiority of characters and motives underlying the actions of the two key characters. In Malcolm X, we see a militant and radical leader who believes that violence might solve the problems his people were facing and on the other hand, Martin Luther King Jr. believed in the advancement of civil rights using non-violent civil disobedience based on his Christian beliefs.
There is a vibrant clash of ideologies and egos in this
meeting as we hear Malcolm saying “Those who want to pay for their freedom they
really don’t need it.” His approach to freeing his people from mental slavery
and physical exploitation was aggressive for he believed that you cannot ask
for freedom, otherwise your application for it will be inexorably denied. Speaking
of freedom, Soledad O’Brein once said: “I’ve learned that fear limits you and
your vision. It serves as blinders to what may be just a few steps down the
road for you. The journey is valuable, but believing in your talents, your
abilities and your self-worth can empower you to walk down an even path.” There
is no doubt that both men were fearless leader and that their journey was
valuable.
While the chimney of their meeting is burning, Malcolm’s
home in Chicago has been bombed that same morning and as D. King prepares to
leave, he gives Malcolm a gift in a form of a beautiful black doll that his
daughter asked him to give to Malcolm’s daughters. “We are the most beautiful
creatures in the whole world, black people,” said Nina Simone. It is important
not only to celebrate this Black History month by idolising politicians only
but celebrate also women in the arts and entertainment sector who made their
mark in emancipating black people. “And I mean it in every sense, both inside
and outside,” Simone concluded.
Despite how confrontational and cogent his arguments,
Malcolm is unable to shake Dr. King’s commitment and equanimity, even though he
routed him in a spell of arm wrestling. They may have differed in their philosophies
but their mutual respect to each other and their beliefs and willingness to die
for what they stood for has brought hope and self-consciousness in the black
communities. They are remarkable leaders of modern times and have put their
lives on line in fighting same grave social problems. In this play, both
Stetson and Ngcobo, reminded us; that intensely intimate meeting full of
undisguised competitiveness, deep passion and potent
reasoning is what the world need for a collective liberation of humankind.
Khehla Chepape
Makgato is a Johannesburg-based independent artist and arts writer, regularly
contributing articles to ART AFRICA and The Journalist. He works at Assemblage
Studios and is the founder of Samanthole Creative Projects & Workshop, a
community-based art organisation focusing on arts and literacy youth
programmes. Chepape is the ImpACT Award WINNER for Visual Arts 2016 from the
Arts and Culture Trust of South Africa and The Mapungubwe Visual Artist of The
Year 2016.
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