ART REVIEW: DOUBLE BILL EXHIBITIONS at William Humphreys Art Gallery in Kimberley, Northern Cape
The William Humphreys Art Gallery (WHAG) recently showcased two compelling exhibitions that highlight the transformative journey of South Africa over the past three decades. The first, originally titled "30 Years of Democracy" and now refined as "Three Decades of Democracy - Artists Across Generations," presents a poignant exploration of the post-apartheid era. Co-curated with Happy Dhlame, this exhibition juxtaposes the reflective works of veteran artists like David Koloane, Vincent Baloyi, Cyril Manganye, Professor Nhlanhla Maake, Charles Nkosi with the vibrant expressions of emerging talents such as Nompumelelo Tshabalala, Nelson Makamo, Lerato Motau, Asanda Kupa, Minenkulu Ngoyi, Dathini Mzayiya, Lawrence Chikwa, Olivier Company, Andile Komanisi and Msa Xokelelo. Through diverse mediums such as painting, collage, mixed media, printmaking, and photography, the exhibition captures the socio-political and economic issues that have shaped South Africa’s recent history. From the tragedy of the Marikana massacre to the ongoing debate over Orania, the artworks reflect and interpret the complex and often challenging narratives of the country’s journey through democracy. Dhlame's curatorial approach emphasizes the significant contributions of seasoned artists alongside the fresh perspectives of the new generation. Unfortunately, some invited women artists' works were unavailable, yet the exhibition's strength lies in its dialogue across generations.
The second exhibition, "Reflections: Art Writers Interpretations of WHAG’s Collection," marks the culmination of WHAG's inaugural Art Writer Residency Program. Curated by Khumo Mcunu and Karabo Tshenyego with WHAG'S curatorial assistant Malikah Meyer, under the mentorship of Chepape Makgato, this exhibition offers a unique narrative that delves into the intrinsic value and historical significance of the Gallery’s collection. Through the eyes of emerging art writers/curators from Sol Plaatje University, hailing from Kimberley’s Galeshewe, the exhibition invites audiences to engage with the Gallery’s artworks in innovative and thought-provoking ways.
WHAG is also grateful to arts experts such as Sean O’Toole, Dr Wayne Florence, and Percy Mabandu, who provided valuable skills and knowledge to the resident art writers through workshops. The inclusion of local artists like Rochester Mafafo and his daughter Kimati Mafafo, adds depth to this narrative, bridging local experiences with broader themes.
The opening reception on July 18th was a notable success, and the following day, Nompumelelo Tshabalala, Happy Dhlame, Khumo Mcunu, and Karabo Tshenyego conducted insightful walkabouts, offering deeper context and engaging discussions about the exhibitions. They also delivered opening remarks, providing further reflection on the exhibitions’ themes and their significance.
Both exhibitions were part of a strategic effort to foster a cultural dialogue between cities, expanding their reach and influence. Kimberley’s rich historical and cultural context adds a layer of significance to these exhibitions, connecting its legacy as a diamond capital and its role in South Africa's educational and technological advancements.
This month also marks my first anniversary as Chief Curator at WHAG, and it is heartening to see evolving audience patterns. The increased diversity in museum visitors, including a notable rise in both black and white attendees, reflects a broader engagement with our programming. The July 18th opening reception saw heightened foot traffic and an encouraging shift in audience demographics, challenging the traditional perception of museums as exclusive spaces.
As we continue to curate exhibitions that engage with our cultural heritage and contemporary issues, WHAG remains dedicated to enhancing its role as a dynamic public institution. This double bill exhibition not only commemorates three decades of democratic expression in South African art but also anticipates its future evolution. It serves as a testament to WHAG’s commitment to promoting artistic dialogue, celebrating diversity, and fostering creativity in the heart of Kimberley.
Chepape Makgato is an independent visual artist, theatre producer, arts writer, educator, curator, and researcher. He is the founder and creative director of Samanthole Institute of Creative Arts which leads tge Art Focus of Univeristy of Limpopo's FNB Incubation Program. Chepape is a Chief Curator of William Humphreys Art Gallery, in Kimberley, Northern Cape. He holds a Master's Degree in Fine Art from the University of the Witwatersrand and has exhibited his work locally and internationally. He is currently a PhD candidate in the Art and Music Department at the University of South Africa. He is a deputy chairperson of South African Museums Association Central (Free State and Northern Cape provinces). He serves on the panel of Acquisition Committee of ArtBank South Africa. He is the the chief patron of Khehla Chepape Makgato Youth Libraries.
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