ART EXHIBITION REVIEW: TSA SEFALENG Richard Mokgomme's third solo exhibition currently showcased at OOVOOKOO Gallery in Selby, Johannesburg

"TSA SEFALENG," Richard Mokgomme's third solo exhibition currently showcased at OOVOOKOO Gallery in Selby, Johannesburg, serves as a poignant reflection on the multifaceted issues permeating South African society. Through a diverse array of artworks, Mokgomme tackles socio-political complexities, post-apartheid realities, and the profound impact of the Covid-19 pandemic. As viewers navigate the exhibition space, they are confronted with a visceral journey through the country's history, as well as its present challenges, including unemployment, corruption, and unfulfilled promises. The exhibition's title, "Tsa Sefaleng," hints at the theatrical nature of democracy, inviting viewers to witness the unfolding drama from the artist's unique perspective.

Re Aparetswe Ke Leru Le Lentsho, Collage and Acrylic on Brown Paper, 2024. Photo: From Facebook 

What sets "TSA SEFALENG" apart is Mokgomme's bold juxtaposition of political and cultural icons throughout his works. Rarely seen in contemporary South African art, these pairings offer a thought-provoking commentary on the nation's past and present leadership, as well as its cultural heritage. From Julius Malema alongside Steve Biko to Kgalema Motlanthe with Robert Sobukwe, Mokgomme's visual contrasts prompt viewers to contemplate the evolving landscape of power and influence. Similarly, cultural luminaries like Gerard Sekoto and Thami Mnyele, John Kani and Miriam Makeba and Hugh Masekela are resurrected on the visual stage, underscoring their enduring significance in shaping the nation's identity and struggle for freedom.

One of the exhibition's most striking pieces is a series of artworks depicting police vans adorned with Coca-Cola bottles and labels, serving as a potent metaphor for corruption within law enforcement. Through this imagery, Mokgomme exposes the pervasive nature of corruption in society, prompting viewers to confront uncomfortable truths about systemic injustices. The inclusion of an old Identity Document barcode in one of the artworks further emphasizes the importance of citizen rights and access to basic needs, highlighting the challenges faced by many South Africans who lack proper documentation.

Exhibition Installation View. Photo Courtesy of Khehla Chepape Makgato 

A centerpiece of the exhibition is the monumental collage painting titled "RE APARETSWE KE LERU LE LENTSHO (Dark Cloud Hovering Upon Us)," spanning from 1994 to 2024. In this intricate composition, Mokgomme confronts viewers with the harsh realities of city streets, where illegal advertisements for "fly by night" abortions, quick money schemes, and fraudulent healers prey on unsuspecting citizens. Through meticulous detail and layered symbolism, the artist urges viewers to recognize the urgency of collective action towards a more just and equitable society. Additionally, Mokgomme's sculptures, crafted from bones, serve as a powerful reminder of the importance of active citizenship, encouraging viewers to engage in the democratic process and effect positive change in their communities.

"TSA SEFALENG" is a thought-provoking and timely exhibition that not only celebrates South Africa's progress since the advent of democracy but also challenges viewers to confront the ongoing challenges and injustices that persist. Through his evocative artwork, Richard Mokgomme invites viewers to engage critically with the complexities of the past, present, and future, ultimately calling for collective reflection and action towards a more inclusive and equitable society. The exhibition, which opened in February 15th and runs until March 10th, serves as a powerful catalyst for dialogue and social change.

Chepape Makgato is an independent artist, freelance arts writer and chief curator at William Humphreys Art Gallery. He also serves as a deputy chairperson of the South African Museums Association Central (Free State and Northern Cape provinces region)