REFLECTIONS: Africa Gives The World A Human Face from Makamo's new body of work

Visiting Nelson Makamo's studio in Johannesburg was a truly immersive experience that seamlessly blended functionality with artistic inspiration. The studio space, designed to accommodate both work and dining, stood out as a beacon of cleanliness and orderliness in an industry often characterized by messy studios. From the moment I stepped into the reception area, I was warmly welcomed by Makamo and his colleagues, setting the tone for a memorable visit. As Makamo directed me towards the working space, I passed through a simple yet inviting kitchen where two more colleagues, dressed as chefs, were busy at work, adding to the welcoming ambiance of the space.

Nelson Makamo and Chepape Makgato in Makamo's studio, Johannesburg. February 2024. 

Entering the working area, I was greeted by the sight of elegant white swinging sofas and leather Chesterfield sofas, serving as the perfect backdrop for Makamo's latest creations. Among them, one piece, larger than life, immediately drew me in, initiating a conversation with Makamo about his upcoming journey. His announcement of his intention to return to Africa to pay homage to legendary figures lent a poignant depth to our discussion, shedding light on the inspiration behind his latest body of work. Titled "Africa Gives The World A Human Face," the artwork served as a captivating tapestry of African and Diasporic African leaders across various spheres, from culture and religion to politics and spirituality.

The inclusion of iconic figures such as Vusamazulu Credo Mutwa, the founding fathers of the African Union, and Nation of Islam leaders breathed life into the canvas, embodying a rich heritage and history. Makamo's adept use of color and juxtaposition of iconographical figures like Fela Kuti, Hugh Masekela, Lillian Ngoyi, Miriam Makeba, Robert Mugabe, Biko, Dolly Rathebe, Elija Mahommed, Louis Farrakhan, and Spacemen added depth and complexity to the narrative woven into the artwork.

Moreover, Makamo's acknowledgment of the influence his work has had on younger generations of artists, who often reproduced or imitated his style, hinted at his desire for innovation and evolution in his practice. With a renewed sense of purpose and creativity, Makamo expressed his intention to pursue a different approach without fear or favor, signaling an exciting new chapter in his artistic journey.

In addition to the vibrant tapestry of leadership and culture, I observed a collage piece depicting school-going children seated, one boy bearing a royal crown embellished with South African diamonds once worn by the late Queen Elizabeth, symbolizing a repatriation of treasures from colonial imperialists. Furthermore, I noted Makamo's return to his roots with a monochromatic piece, reminiscent of his earlier works from the past fifteen years, this time treated with a cool color palette, showcasing his full circle of artistic evolution. Overall, my visit to Nelson Makamo's studio was a profound exploration of creativity and culture, leaving me inspired by the artist's vision and moved by the depth of his work.

Chepape Makgato is an independent artist, freelance arts writer and chief curator at William Humphreys Art Gallery. He also serves as a deputy chairperson of the South African Museums Association Central (Free State and Northern Cape provinces region). He is a PhD Candidate in Art and Music at the University of South Africa.