Samanthole Arts Foundation

The William Humphreys Art Gallery (WHAG) is proud to present a solo exhibition of the renowned South African artist, writer and poet Peter E. Clarke (1929-2014), from 29th of August to 31stof October. The exhibition, titled For Some the Pathway to Education Lies Between Thorns, showcases Clarke’s linocut and woodcut prints, rarest paintings and watercoluor drawings that explore the themes of education, space and social justice. For Some, Path To Education Lies Between Thorns, Linocut Colour Reductions, by Peter E. Clarke, 2008 Clarke was born in Simon’s Town, a naval town near Cape Town, and grew up under the oppressive apartheid regime. He was forced to relocate to Ocean View, a designated area for coloured people, in 1972. Despite the hardships and discrimination he faced, he pursued his artistic passion and became one of the most influential and celebrated artists in South Africa and abroad. In 2005 he was awarded the Order of Ikhamanga (Silver) by President Thabo Mbeki for Excellen

The overture is reminiscent of modern struggle songs that mirror apartheid-era liberation chants. The stage set is really simple, with one elegantly upholstered bench and an oak-like puzzle on the floor and wall. One puzzle piece lies outside the carpet - a misplaced piece that suggests that something is missing. This theatre presentation suggests that justice for the poor is that missing piece. A door lit on the far right hand side of the wall serves as a wine and liquor storage. Tsebo Rapoo as Tshireletso Nkoane, Lebogang Motaung as Qiniso Nxumalo and Xolile Gama as Ronald Mulaudzi. Pic by Mark Wessels.    Khongolose Khommanding Khommissars - a stage work written by J Bobs Tshabalala, the Standard Bank Young Artist Award Winner for Theatre 2020 - is directed by Theatre Duo, Mahlatsi Mokgonyana and Billy Langa, assisted by Ketsia Velaphi. The show is being performed at the Market Theatre's main John Kani Theatre. This thought-provoking political satire is artistica

Modumokgole ore gopotša dikošana tša sebjalebjale tša ntwa tšeo di bonagatšago dikopelo tša tokologo tša mehleng ya kgethologanyo. Sete ya sefala e tloga e le bonolo, ka panka e tee yeo e apešitšwego ka bothakga le tharollo ya go swana le ya legonye fase le lebotong. Seripa se tee sa tharollo se rapaletše ka ntle ga khapete - seripa seo se sa bewago gabotse seo se šišinyago gore go na le selo seo se hlaelelago. Tlhagišo ye ya sefala e šišinya gore toka go badiidi ke seripa seo se hlaelelago. Lebati leo le bonešitšwego ka lehlakoreng le letona la lebota le šoma bja ka lefelo la go boloka beine le bjala. Tshireletso Nkoane ka Tsebo Rapoo, Lebogang Motaung ka Qiniso Nxumalo le Xolile Gama Ronald Mulaudzi. Seswantšho: Mark Wessels.  Khongolose Khommanding Khommissars - mošomo wa sefala wo o ngwadilwego ke J Bobs Tshabalala, Mothopasefoka sa Botaki sa Mofsa sa Standard Bank wa Sefala 2020 - o laolwa ke Theatreduo, Mahlatsi Mokgonyana le Billy Langa elego Bathopasefokammogo Sa Bo

This picture of me here captured one of the nostalgia painful years of my school life back in Std 5 over 22 years ago. A maths teacher walks into a classroom full of learners and asked who the artist is in the room? All learners pointed at me with much enthusiasm and confidence to match.  He looked at me and said: 'Mfana, are you sure you can draw serious stuff?' To which I replied yes. He was a teacher every learner feared and at times, despised. I thought it was a great moment for me restore my dignity from his countless humiliations exerted upon my direction. Mind you, then coporal punishment was in its mightiest. Each time he punished the classroom for making noise, the whip from his hand became rigoriously firm when it landed on my head, in my hand or at my behind. It is as if he made sure I felt the whip hundred times. He ordered me to come up with two notices/posters of NO SMOKING wherein I drew a cigarette burning and cross the line over it. He directed that

Hamilton Dhlamini le Thulani Mtshweni ba phedišitše bobe bja kgethologanyo ka go ba gona ga bona mo go kgahlišago sefaleng le dipolelo tša bona tša go se tlwaelege. Bokgoni bja bona bja go bapala dipapadi bo bontšhwa ke bokgoni bja bona bja go tšweletša baanegwa ba go fapana - go fetoša dikarolo magareng le ka gare ga lefelo la tiragalo ka didirišwa tše nnyane tša go thekga le ke diaparo. E tšweleditšwe ke Ndlondlo Productions, yeo e laolwago ke Hamilton Dhlamini le sefala seo se laolwago ke Phumeza Damage, papadi ye ya mengwagasome ye mene, Woza Albert, mathomong e ngwadilwe ke Percy Mthwa, Mbongeni Ngema le Barney Simon. Papadi ye ya badiragatši ba babedi e etela Afrika Borwa, morago ga go ruma leeto la Eswatini. E ile ya kgahliša babogedi ba Alexandra Township ka matšatši a mabedi - la 10 le la 11 Ngwatobošego 2023 - gomme morago ga fao ya tšea karolo go Menyanya ya Bokgabo wa boSetšhaba wa Makhanda. Thulani Mtshweni le Hamilton Dhlamini. Pic E filwe ke Khamphani ya Alex

Khonferentshe ya Berlin (1884–1885), yeo Otto von Bismarck a e rulagantšego, e be e le sedirišwa fela seo se netefaditšego go tšewa ka botlalo ga methopo ya tlhago le go rarolla dingangišano magareng ga mebušo ya Yuropa yeo e nago le dikgahlego ka Afrika go hlola mellwane ya boikgopolelo ya beng, go dumelela ditšhaba tše di fapanego tša Yuropa go nyaka mo di ka ikholago ka mahumo le maruo a Afrika. Gregory Vuyani Maqoma o tšwa sefaleng ka go thunya ka Exit/Exist. Gregory Vuyani Maqoma sefaleng. Seswantšho ka Facebook  Gregory Vuyani Maqoma o re fa tatso ya histori ka tiragatšo ya gagwe ya go tantsha ya seswantšho, Exit/Exist. Tiragatšo ye e theilwe godimo ga mogologolo wa gagwe Kgoši Jongumsobomvu Maqoma (c. 1798 – 9 Lewedi 1873) yo e bego e le molaodi yo mogolo wa madira a maXhosa nakong ya Dintwa tša Mollwane wa Kapa. Kgoši Maqoma o ile a golegwa gabedi Sehlakahlakeng sa Robben ke ma-Yuropa ka lebaka la boikgafo bja gagwe bja go šireletša naga ya borakgolokhukhu ba gagwe.

The Berlin Conference (1884–1885), which Otto von Bismarck organised, was merely a tool that ensured a total takeover of natural resources and settlement of disputes between the European powers with interests in Africa to create fictitious borders of ownership, allowing various European nations to claim almost all of present-day Africa. Gregory Vuyani Maqoma exits the stage with a bang through Exit/Exist. Gregory Vuyani Maqoma on stage.  Pic: Facebook  Gregory Vuyani Maqoma gives us a taste of history in his iconic dance performance, Exit/Exist. The performance is based on his ancestor King Jongumsobomvu Maqoma (c. 1798 – 9 September 1873) who was a commander in chief of the Xhosa forces during the Cape Frontier Wars. King Maqoma was imprisoned twice at the Robben Island by the Europeans for his commitment to protecting the land of his forebears. He came into prominence after his older brother King Mgolombane Sandile (1820–1878), who was a ruler of the Right Hand House of t